澳洲墨尔本代写作业:宗教形象

2019-11-27 16:46

当我们谈到复活时，它会唤起亚伯拉罕信仰的宗教形象。然而，我认为创造性写作的过程涉及到复活死者的行为。在写作过程中，一个作家冒险进入一个未知的、黑暗的地方，把死去和埋葬的东西带回到生活中：无论是记忆、故事，还是给那些早已逝去和可能被遗忘的人以生命。我将参照我正在进行的工作来审视我自己的写作过程和复活的想法：一部小说，在我在这里的工作标题下。这本书的灵感来自于沙菲莉亚·艾哈迈德的生活，她17岁时在兄弟姐妹面前被巴基斯坦出生的父母谋杀。沙菲莱娅想象中的声音（大部分）来自于她家庭生活的触角，但这段文字也得到了实际案件事实的支持：2003年沙菲莱娅失踪后，警方发起了媒体呼吁，最初，警方将其视为失踪者的调查。随着怀疑的增加，警察在家里安装了秘密监听装置。沙菲莱娅的尸体于2004年2月被发现。在坎布里亚的塞奇威克，她的骨骼和腐烂的遗体半埋在肯特河边，洪水过后暴露在外。内政部病理学家，给出最可能的死因是窒息或勒死。最终，沙菲莱娅的妹妹向警方提供了证据，导致艾哈迈德夫妇被捕入狱。
澳洲墨尔本代写作业:宗教形象
When we speak of a resurrection it conjures up religious images from Abrahamic faiths. However, I will argue that the process of creative writing involves the act of resurrecting the dead. During the writing process a writer ventures into the unknown, a dark place and brings back to life that which is dead and buried: be it memories, stories or indeed giving life to those long gone and possibly forgotten. I shall examine my own writing process and the idea of resurrection with reference to my work in progress: a novel, under the working title I Was Here. The book is inspired by the life of Shafilea Ahmed who was murdered by her Pakistani born parents in front of her siblings when she was just 17 years old. Shafilea’s imagined voice speaks (mostly) from the reaches of her home life, but the text is also supported by the facts from the actual case: when in the aftermath of Shafilea’s disappearance in 2003, media appeals were launched by the police who regarded it, initially, as a missing person’s inquiry. As suspicions grew the police fitted covert listening device in the family home. Shafilea’s body was discovered in February 2004. Her skeletal and decomposed remains half buried alongside the river Kent in Sedgwick, Cumbria, were exposed following a flood. A Home Office pathologist, giving the most likely cause of death as smothering or strangulation. Eventually, Shafilea’s sister gave evidence to the police which led to the arrest and imprisonment of the Ahmeds.

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