悉尼代写assignment:戏剧

悉尼代写assignment:戏剧

Indeed, the fact that we do not really witness Mrs Maloney’s eccentric and worrying streak until the last few lines of the piece where she feeds the offending leg of lamb to the police officers and reacts so spookily ‘And in the other room, Mary Maloney began to giggle[8],’ adds a distinct element of dramatic irony to the story. Rather than the slight steadily building fear of the landlady, Dahl instead adds the potential of depraved madness as a twist that does not manifest itself until the end of this story when she feed the officers the lamb. Of course, the audience knows what has happened, and squirm with the emotive language Dahl uses to describe their consumption of the murder weapon ‘their voices thick and sloppy because their mouths were full of meat,[9]’ and thus can see a real discrepancy between the policeman’s reaction to the ‘vulnerable woman’ and the truth that they refuse to accept, simply because she has checked her reactions before leaving the house. ‘there was more whispering, and through her sobbing she heard a few of the whispered phrases-”...acted quite normal...very cheerful.....impossible that she….[10]”

Dahl, in this story is bringing up quite a conundrum. Of course, the woman in question has been wronged, the audience is not explicitly told why but we presume the gentleman is leaving her for another girl, and her reaction seems to be a spur of the moment revenge attack. Leaving the readers to decide for themselves whether or not they should empathise with the murderer, and my personal response to her was one of pity and understanding, he nonetheless throws this twisted chuckle into the end of the story as a device to twist the whole perspective of the tale.

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